'On The Front Lines: Three Generations of Soldiers' Voices will be held at the USVAA Theater on Saturday, July 11th at 2pm. --On The Front Linesfeatures the stories of a diverse group of California veterans from World War II through Iraq: gathered from interviews by Los Angeles actors/writers and told in a dramatic narrative to be shared with the veterans themselves and with us, the citizens they served. Their experiences touch on issues of civil rights, self-identity, and the long-lasting consequences of war in the hearts and minds of the soldiers who fought in them. This project was generated by a California Council for the Humanities “California Stories” grant and matching support from Loyola Marymount University.'
Monday, June 29, 2009
a night in hollyweird
you know, i've lived in LA most of my life, but i've yet to do the whole hollyweird thing.
so we did, tina and me. mann's chinese; the walk of fame; the famous wax musem; and one of my personal must-eat's : miceli's italian restaurante.
in the process we found Jesus.
and Charles Bronson - two of my faves.
Friday, June 26, 2009
uniforms
took out my old uniform and the creases were still there.
hadn't ironed them, or starched them, just took them right out of the closet to check for some old rank insignias.
and they were there.
the creases, not the chevrons.
so i folded them up and stacked them on my shelf, next to Joyce and Bukowski.
then i started to write.
began the regimen:
blast the ipod; skim through unfinished work that looks conducive to the screenplay i'm working on, and smoke a padron.
but it wasn't happening. the words weren't coming and i wasn't writing.
went outside.
watering the tomatoes and such. - a new approach.
but i wandered back in, the sun beating down mercilously.
sought out the uniform.
as the orchestra was lightly tapping away, i came closer. right up to the faded thread and gleaming buttons.
yes, they had faded well. the greens now pastels and the browns and blacks very muted.
aged.
several small tears from field operations - these were my greens, never seeing combat.
Africa and Hawaii and Singapore, yes.
Iraq, no. never Iraq.
i put my uniform to my face.
inhale deep: crisp canvas and a hint of starch.
in the mirror i can see myself and something tells me to put them on.
not a voice or command, just something.
so i do.
they don't fit well. they hang on my gaunt body, two sizes too big.
as if a different man wore this uniform.
not me, chris.
and that's what's so funny.
because i find myself in the same situation as i did before.
a different man.
pre-enlistment civilian fuck.
devolved.
unemployed and broke.
ahh, with a fine accouterment: 50K in debt.
now this is what happens when you buy into the myth of college. get your degree, bust yer ass to graduate with honors, and guess what?
you get a nice piece of parchment to hang on your wall that says you have a bachelors degree.
so what's next?
teach?
finish up my masters?
finally to be greeted by the real world with 100,000 dollars worth of debt and usc 'connections?'
that's just not smart.
so i put the old uniform away, nice and neat and put on my new one.
my v-neck and sweats.
then i had a drink and deleted every single email from usc - suddenly the boot raised from my neck.
and now i'm writing.
Thursday, June 25, 2009
pandora productions 3rd annual new works festival
june 26, 27, 28
all new works @ pandora productions
-and an 'honorable mention' for yours truly.
pandora productions
all new works @ pandora productions
-and an 'honorable mention' for yours truly.
pandora productions
Sunday, June 21, 2009
'outside the wire'
a little snippet from the feature i wrote @ usc last semester. i like it for the most part, although i doubt i'll re-write it. my practice script, if you will...
[scrippet]
EXT. BLUE SKY
A lollipop sun burns a hole through an expanse of blue.
We’re GLIDING HIGH above a grid-like patchwork of rooftops peppered with debris, DESCENDING SLOWLY.
SINKING LOWER, individual buildings come into focus.
ROOFTOP LEVEL, a CHILD points skyward as a PREDATOR DRONE silently cuts through the air.
PREDATOR POV: Ghostly images of a SPRAWLING CROWD on the move.
We FOLLOW them as they reach a LARGE INTERSECTION.
CUT TO:
A TATTOOED FOREARM. It holds a CHAIN secured about a BRONZE PYLON.
CUT TO:
A HAND. It traces the chain, as it’s owner marches past CANDY WRAPPERS; CIGARETTE BUTTS; BULLET CASINGS; a CAN OF PEPSI WITH ARABIC LETTERING.
With every step, dust EXPLODES around MUD-ENCRUSTED DESERT BOOTS. The hand SMACKS the rear of a TAN VEHICLE.
VOICE (O.S.)
Hit it Jonesy!
The vehicle ROARS to life, revealing - a grizzled US MARINE in DESERT CAMMI’S, tattooed forearms and mud-encrusted boots.
Tattooed Marine turns to see the sprawling crowd halted in place - staring at him.
A sound. METAL TEARING. EEE-EEE!
CUT TO:
EXT. CROWDED INTERSECTION - DAY
A SQUAD OF MOBILIZED INFANTRY MARINES atop a HUMVEE - stare at Tattooed Marine.
Except for one. He dry shaves with a STRAIGHT RAZOR in the Humvee’s rearview mirror. This is SGT MIKE “HUFF” HUFFMAN (25). A hard eyed, hard edged MARINE CORPS GRUNT. It’s difficult to tell if Huffman’s pissed off at you or just being himself.
FREEZE FRAME: Huffman and his glinting steel.
SUPER: SGT MIKE HUFFMAN. SQUAD LEADER.
A SHADOW falls over Huffman. Strain in his eyes as he looks over his shoulder.
HUFFMAN
(Sotto voce)
Cradle of civilization, my ass.
And we see it: the BRONZE STATUE OF SADDAM HUSSEIN being torn down in WALABI SQUARE - Tattooed Marine mans the chain attached to the metal despot.
It falters for a moment, then tomahawks towards the pavement.
THUD! Saddam smacks the ground HARD - reverberating throughout the teeming intersection.
IRAQI’S rush the effigy - Tattooed Marine darts away to safety.
They pelt Saddam with shoes, rocks, whatever they can get their hands on - the barrage of noise surges up towards the sky.
CUT TO:
PREDATOR DRONE as it disappears into the troposphere.
EXT. IRAQ - WALABI SQUARE - VEHICLE STAGING AREA - DAY
The Mobilized Infantry Squad aka REAPER ONE watch the Iraqi’s defile Saddam with a smile, sans Huffman.
He splashes aftershave on his face.
MARINE # 1, (20). A nerdy boy in oversized cammi’s and black-framed glasses, gives Huff a dirty look as he walks towards the sprawling crowd.
SUPER: CPL. MANNY “ROD” RODRIGUES. GUNNER.
ROD sneaks a drink from a FLASK as he disappears into the mass of bodies.
CLOSE ON - SADDAM. As shoes pummel his bronze bust.
HUFFMAN (O.S.)
Don’t know about you gents...
An IRAQI arrives with a CHAIN-SAW.
HUFFMAN (CONT’D)
...but I think it’s about time...
BRRRR! The chain-saw ROARS to life.
HUFFMAN (O.S.) (CONT’D)
...we ricky tick the fuck outa here.
The chain-saw RIPS into metal, showering the crowd with SPARKS.
IRAQIS shriek.
DOGS howl.
HELICOPTERS WHOOP, WHOOP, WHOOP overhead.
Gunfire rips the air.
RADIOS chatter.
It. Is. A. Madhouse.
SUPER: Baghdad, 2003.
FADE OUT.
[/scrippet]
[scrippet]
EXT. BLUE SKY
A lollipop sun burns a hole through an expanse of blue.
We’re GLIDING HIGH above a grid-like patchwork of rooftops peppered with debris, DESCENDING SLOWLY.
SINKING LOWER, individual buildings come into focus.
ROOFTOP LEVEL, a CHILD points skyward as a PREDATOR DRONE silently cuts through the air.
PREDATOR POV: Ghostly images of a SPRAWLING CROWD on the move.
We FOLLOW them as they reach a LARGE INTERSECTION.
CUT TO:
A TATTOOED FOREARM. It holds a CHAIN secured about a BRONZE PYLON.
CUT TO:
A HAND. It traces the chain, as it’s owner marches past CANDY WRAPPERS; CIGARETTE BUTTS; BULLET CASINGS; a CAN OF PEPSI WITH ARABIC LETTERING.
With every step, dust EXPLODES around MUD-ENCRUSTED DESERT BOOTS. The hand SMACKS the rear of a TAN VEHICLE.
VOICE (O.S.)
Hit it Jonesy!
The vehicle ROARS to life, revealing - a grizzled US MARINE in DESERT CAMMI’S, tattooed forearms and mud-encrusted boots.
Tattooed Marine turns to see the sprawling crowd halted in place - staring at him.
A sound. METAL TEARING. EEE-EEE!
CUT TO:
EXT. CROWDED INTERSECTION - DAY
A SQUAD OF MOBILIZED INFANTRY MARINES atop a HUMVEE - stare at Tattooed Marine.
Except for one. He dry shaves with a STRAIGHT RAZOR in the Humvee’s rearview mirror. This is SGT MIKE “HUFF” HUFFMAN (25). A hard eyed, hard edged MARINE CORPS GRUNT. It’s difficult to tell if Huffman’s pissed off at you or just being himself.
FREEZE FRAME: Huffman and his glinting steel.
SUPER: SGT MIKE HUFFMAN. SQUAD LEADER.
A SHADOW falls over Huffman. Strain in his eyes as he looks over his shoulder.
HUFFMAN
(Sotto voce)
Cradle of civilization, my ass.
And we see it: the BRONZE STATUE OF SADDAM HUSSEIN being torn down in WALABI SQUARE - Tattooed Marine mans the chain attached to the metal despot.
It falters for a moment, then tomahawks towards the pavement.
THUD! Saddam smacks the ground HARD - reverberating throughout the teeming intersection.
IRAQI’S rush the effigy - Tattooed Marine darts away to safety.
They pelt Saddam with shoes, rocks, whatever they can get their hands on - the barrage of noise surges up towards the sky.
CUT TO:
PREDATOR DRONE as it disappears into the troposphere.
EXT. IRAQ - WALABI SQUARE - VEHICLE STAGING AREA - DAY
The Mobilized Infantry Squad aka REAPER ONE watch the Iraqi’s defile Saddam with a smile, sans Huffman.
He splashes aftershave on his face.
MARINE # 1, (20). A nerdy boy in oversized cammi’s and black-framed glasses, gives Huff a dirty look as he walks towards the sprawling crowd.
SUPER: CPL. MANNY “ROD” RODRIGUES. GUNNER.
ROD sneaks a drink from a FLASK as he disappears into the mass of bodies.
CLOSE ON - SADDAM. As shoes pummel his bronze bust.
HUFFMAN (O.S.)
Don’t know about you gents...
An IRAQI arrives with a CHAIN-SAW.
HUFFMAN (CONT’D)
...but I think it’s about time...
BRRRR! The chain-saw ROARS to life.
HUFFMAN (O.S.) (CONT’D)
...we ricky tick the fuck outa here.
The chain-saw RIPS into metal, showering the crowd with SPARKS.
IRAQIS shriek.
DOGS howl.
HELICOPTERS WHOOP, WHOOP, WHOOP overhead.
Gunfire rips the air.
RADIOS chatter.
It. Is. A. Madhouse.
SUPER: Baghdad, 2003.
FADE OUT.
[/scrippet]
Tuesday, June 16, 2009
pearl jam re-issue
ahh, my all-time favorite band - pearl jam - re-did their first album "TEN" unbeknownst to me, and although i'm broke as hell, i'll find a way...
if you're interested, check it out:
Labels:
eddie vedder,
pearl jam,
reissue,
sony,
stone gossard
Friday, June 12, 2009
it's late
and i'm still up. just lying rigid on my bed and it's very dark because the electricians haven't hard-wired the light fixtures yet.
i get up - using my maglight - navigating past chairs and shoes and electrical wiring that's strewn across the floor.
the beam of light forges a small trail in the quiet night...
...and the Lt. calls the convoy into a herring bone.
we pull off the road in a zig-zag pattern. find micro-terrain and write up a firewatch list.
i get first watch.
my .50 cal is loaded with tungsten rounds. they are silver, pointed mean, and look like aluminum. but they are strong as fuck and have been rumored to tear through several mudhuts before loosing momentum and imbeding themselves in the nearest lump of flesh.
i put on my night-vision goggles.
they suck.
none of this perfect green digital shit you've seen in the movies. but grainy and heavy, leaving their mark on the bridge of your nose.
i scan the area.
hundreds, maybe thousands of humvees and 5-tons line the road as far as these shitty NVGs can see.
tracers move through the sky in slow-motion. seconds later a machine-gun's staccato echoes miles away.
but i scan and see the Marines and Corpsman mull about their vehicles, smoking cigarettes and eating MRE's.
a bright ball of light grows brighter as a Marine takes a drag from his smoke.
it's eerie. especially since it's very quiet. all these men and machines - from texas to cali to new york - move instinctually, like racoons in the night.
muscle memory. hard-wired from our days wandering the African plains - prey to lions and rival clans.
but we are tired. days without sleep. and it comes to me while i'm on watch. my head bobs, droops, then - SPLAT - my forehead lands sqaurely atop the butterfly trigger of the .50.
it hurts, but i don't feel it.
i accept it.
pain.
in fact, i'm glad it happened - my sleep is temporarily staved off, thus keeping me more alert.
suddenly the mexican relieves me - late of course, but whaddya gonna do?
i tell him everything is all clear.
i didn't see shit.
these are my lines of fire.
this is the ammo.
make radio-checks every 20-minutes.
and you are to be relieved by the driver in one hour, but it'll be dawn soon, so keep alert.
this done, i step off the hummer. i don't give a shit what i'm wearing or if i've brushed my teeth or even washed my face.
i want sleep. and that makes me happy - just the thought of it. i know it won't be a long sleep. perhaps a few hours and then we'll push on, but it's sleep nonetheless.
i curl on the hood, use my helmet as a pillow and the cold night does not hinder my intentions.
i fall asleep quick.
then i'm woken up.
it's the Lt.
'we gotta dig a fighting hole,' he says.
i argue, but he's a smart guy, so i follow orders. grab a shovel and start digging. it's very half-assed - again, i just don't care.
i just don't care if artillery rains in and kills me right this very instant.
I NEED SLEEP!
i embrace every second my eyelids cover my eyeballs.
he sees me dig and jumps in and helps. although it's nearly freezing we take off our shirts - the action of digging being very labor intensive. sweat rolls down our faces, beads at the nose, and falls.
we talk. i forget the details, but i remember the sight.
me and the Lt., the moonlight falling over our shoulders, the shovels slicing into the water-table, my shotgun slung over my back, the men and machines - silent as raccoons.
we share a smoke. i can see his eyes when he takes a drag and they're gone. he's in another world. operating on a level only seen in combat or concentration camps.
we dig chest deep and my adrenilin is going and the Lt. tells me to hit the rack.
' roger that, Sir,' i say sotto voce.
this time i take off my boots and the smell emanating from my feet is foul, but the cold air feels good on them, so i endure.
grab my poncho liner and wrap myself in it like a child.
breathing deeply and closing my eyes - but the sleep wasn't there this time.
the boy who cried wolf, i guess.
so i lay still, embrace my shotgun and exhale as the sun rises over the marsh.
Wednesday, June 10, 2009
TCM and Nina
been watching TCM lately. although i dislike ted turner, he's got the dope.
and matter of fact, that's pretty much all i watch nowadays.
i'm talking marathons, and since i've got 'on demand,' i can watch these classics whenever i please.
'fugitive from a chain gang;'
'they were expendable;'
'star is born,'
'who's afraid of virginia wolfe?;'
'the caine mutiny;'
'the ten commandments;'
'an american in paris;'
'a walk in the sun;'
i could name hundreds...
it's just great.
really.
they're so simple. so naive. so innocent - or at least portray a more innocent time, when everyone and their mothers didn't want to be famous.
didn't want hordes of myspacers, tweeters, and facebookers, to emulate their so-called 'style.'
i like that.
had the privilege to learn from one too - Nina Foch...well two, I meet Edward Albee @ Kennedy Center - but this one's for Nina.
took her class @ USC and she was very old.
very, very old.
always on the verge of death, i told myself.
but i watched 'an american in paris,' last night and saw her.
Nina.
and she was beautiful. just slim and pretty and young.
she passed away shortly after her last class - which i was in.
sitting in her wheelchair. trying her best to conduct class to the very end.
literally.
The Very End.
didn't go to her funeral - i believe the entire USC class was invited - just thought i wouldn't belong.
and truth be told, i probably didn't.
but i never really wrote a blog for her - so engrossed with finals and kitchen sink drama's of my own creation.
i hope Nina found some peace.
she was a classic.
Tuesday, June 9, 2009
pandora productions 'honorable mention'
so i got an 'honorable mention,' from pandora productions for my full length play "a change of heart.' and you know, that's kinda cool. it's not going to be produced, but apparently it's in their 'top 10.' unfortunately they've only got the means to bring five scripts to life. i might just revisit that play and tighten it up, resubmit. who knows. nevertheless, it's still a step in the right direction. as for the top five, you can see them - along with my name in their playbill thingy - jun 26-28. i know i'll be there.
Saturday, June 6, 2009
D-Day
D-Day and i think those men who died 65 years ago would've liked to walk on a beach with a pretty girl.
because i think we thought alike.
because most of the old timers i've spoken with enjoy the simple pleasures in life.
a warm summer day;
the waves rolling in, filling the tide pools;
a maritime museum;
a pull from a cigar;
and a breeze - stiff but impartial.
so that's what i did.
Thursday, June 4, 2009
"got some," by...PEARL JAM?
wise minds think alike...
"get some," "got some?"
-a new song from Pearl Jam. kinda dig it. take a listen.
"get some," "got some?"
-a new song from Pearl Jam. kinda dig it. take a listen.
Labels:
conan,
eddie vedder,
got some,
pearl jam
Tuesday, June 2, 2009
relations w/Vets
they're complicated.
because you're different.
just a little, but still different. like it or not.
and perhaps victims of violence and tragedy are the same way.
you can't be exposed to such gore and insanity without losing a piece.
the veneer chipped, exposed.
doesn't mean all Combat Vets are.
no.
not at all. most.
but they've opened a door to a world that civilized American's desperately try to lock.
or at least mock.
attempt to desensitize themselves through graphic depictions of violence/War in TV/movies.
and it works, mostly.
because i can remember the first time i saw a dead man.
not a nice embalmed old timer with a red carnation pinned upon his breast, but a young man.
like me, only born on the wrong side. probably unemployed. probably patriotic. and unlucky as hell.
had a hole in his head, shot in the medulla oblongata from behind. right eyeball missing.
big bloody hole - the exist wound from a sniper's 7.62.
remember telling myself, "this looks just like the movies."
"just like the movies..."
so it's been nearly six years, but he's still around. shows his face occasionally. can't shake him yet.
so i read freud's, "on the interpretation of dreams, " to figure things out. understand. banish the fucker.
and a certain part resonated with me - just a small passage regarding the rods and cones of the human eye.
and to paraphrase mr. freud: anything the eye sees; that is registered by the rods/cones, is forever ingrained within that person's brain housing group.
meaning, you see it, it's with you forever.
hidden away in some fleshly wrinkle. crumpled and desciated - waiting for rain.
and it explains those mysterious people/places/objects in your dreams. some way or the other, that image was seen by you.
really.
although your conscious mind didn't recognize it, the subconscious sure as hell did.
logged and classified.
it's hard to explain this because it's...well...it's cliche.
everything turned into a joke and acknowledged with a smirk.
but some understand, or at least try to.
and that's what counts.
and when you find one, you should probably keep 'em.
as for the rest, well, try not to stare as they circle the bowl...
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