Wednesday, April 29, 2009

"Soldiers' Stories," Performance Dates

we've got confirmation! the commission i've been working on for LMU has been locked in. (is that pretentious to say "the commission"??? i dunno)anyways, it means performance dates. here ya go. if you can make it, you oughta come. should be an interesting night of exploration and insight - and of course, entertainment. any questions, just shoot me an email: chris_m90731@yahoo.com

SATURDAY, JULY 11, 2:00 P.M. - @ Veteran's Center, Culver City CA.

THURSDAY, OCTOBER 29, TBA for 7:30 or 8:00 P.M. - @ LMU's Strub Theatre, Los Angeles, CA.

WEDNESDAY, NOVEMBER 11 (Veteran's Day), TBA 7:30 or 8:00 P.M. - @ The Actors' Gang Theatre, Culver City, CA.


Tuesday, April 28, 2009

less than a week


and the summers here. strange to be saying that @ nearly 30 years of age. like a kid waiting for the final bell. 

besides collaborating on "get some," this semester was a disaster. cliched kitchen sink drama injected with procedurals (think "House). most outa my control. a few, self-inflicted. pure ignorance. lesson learned.

so i'm sitting in the backyard, the tortoise is munching carrots, the sun; warm, the breeze; stiff, and i've got around 300 buckaroos to my name. almost $50,000 in debt. and the car is running on empty. but the first of the month is coming. VA Disability. 40%. direct deposit. thank God.

recently contemplated abandoning USC outright. just finish this semester and adios. but i've realized that'd be stupid. an even bigger waste of cash. 

so i'll take my semester off. heal, get healthy and resume. back to the grind, so to speak.

to be honest, a Masters Degree doesn't mean too much to me. just another piece of paper to hang on my grandfather's wall. another placard on heavy gauge paper in a $10 frame. 

maybe i'll find Jesus in the meantime...

(((((hello?)))))


Friday, April 24, 2009

"get some," @ Eileen L. Norris Cinema Theatre

not sure if i ever posted the exact location of "get some's" premiere. 
the venue - USC's  Norris Theatre.
click this for more info:
hope to see you there!

mangos in Africa


kenya. huffman and i were sitting against a house. white-washed and in the jungle. bleached from it's position along the equator. needless to say, it was hot. uncomfortable - balls sticking to your thigh, feet on fire - uncomfortable. and we were going on very little sleep. two to three hours a day. running patrols along the somali border, and it had taken its toll. 

you change. think in short bursts. a moment of silence and your eyelids close and sleep comes. good sleep. without pills. and it never lasted long enough. always ripped away by some posturing SSgt or sadistic NCO. but we accepted our lots in life - non-rates. although it wasn't that bad, i guess. 

waking up to the smell of locals roasting coffee beans. eating mangos in the sun. building bonfires on the African coast, watching flames reflect off the ocean - our carriers looming several miles out, blinking securely.

and the animals. baboons - mean and mad. cranes - big 'n ugly; could snatch up a small child. cats. big cats and big bees and big ants. insects on 'roids. crawling up your nose. in your boots. down your neck, slipping the collar and scurrying across your chest. building hives as big as volkwagens.

but what i remember most was the independence. how a small platoon of Marines was tasked with guarding the somali border and carried out said task with men no older than 24. armed with machine-guns, rifles and pistols. we were alone out there. no police. no parents. just us and the animals. possible somali raiders. taking dumps next baboon skulls and watching giant centipedes shimmy over our boots. talking about Spartans and the best way to slice a man's throat. ironically, a rather innocent time. the war in Iraq was just a rumor. something we laughed about. we were kids operating on the stories of the past. history channel tactics. john wayne and "full metal jacket."

while en route, on the ship, i had read a few books. one of them, "the old man and the sea," Hemingway. couldn't help but think about the old fisherman -  and those glowing eyes staring back at him from the shore.
lions. and his youth.
no pain. no swollen salivary glands. the only limitations - mental and easily overcome. a strong back and a stomach made o' steel...

huffman and i sat against that white-washed house and ate mangos and talked about girls and Temple of the Dog. but i think both of us knew we'd remember this little moment in time 'till the day we died - at least i will. a slice of life tattooed, hardwired to our cerebral cortex - an image; brief and faded, but there. always there.

mangos. 
baboons.
roasted coffee beans.
centipedes. 
the sun. 
the cranes.
Africa. 


Thursday, April 23, 2009

strippers

i've generally had a positive view regarding strip clubs. hell, i was a Marine - it's basically a right of passage. yet, in the past few years, i've personally witnessed the side-effects this profession has on it's employees. 
the women. 
the girls. 
and it's not nice. not at all. i couldn't believe how dead-on this website was: 

http://www.savedfromstripclubs.org/factsaboutexoticdancing.htm

just made me think...
here's a portion:

The Truth About Strip Clubs

What Strip Club Owners Don't Want You to Know

There are so many misconceptions held by people about strippers.  

Below are some demystifying facts about the reality of this profession.

Working as a Stripper Is Not:

Safe - Murder and violence happen on a regular basis in and around strip clubs, and seemingly at an increasing rate of frequency.  Patrons are often sexual predators who build obsessions on the dancers.  Gang members, drug dealers, pimps, and other criminals also frequent strip clubs.  Some of these criminals are the employees themselves, and all strip club owners are involved in some kind of criminal activity.  The safety of the dancers is not a high priority.

Healthy - Many strippers suffer from drug addiction, alcoholism, abusive relationships, and dangerous lifestyles.  The stresses of the job bring on many physical and emotional problems.  Depression and anxiety disorders such as post-traumatic stress disorder are common among dancers.  Years of dancing cause back, feet, and leg injuries, some totally disabling.  And there is no retirement plan for dancers.

Glamorous - The day-to-day reality of acting friendly to perverts and degenerates is disgusting.  Being assaulted in the lap dance booth is traumatic and utterly humiliating.  Being regularly hit on by creepy guys making filthy comments at you  is not at all glamorous.  Being physically attacked by mentally unbalanced dancers is also unglamorous. 

Good for your self-esteem - Being treated like an object day after day by your boss and clients has a deleterious effect on your self-esteem.  This effect snowballs as the years go on.  Many dancers suffer from feelings of worthlessness and hopelessness. 

Worth the money - I have known strippers who have made obscene amounts of money and they are no happier for it.  There is also a tendency among dancers to squander the money on drugs, excessive shopping, gambling, etc.

Empowering for women - On the contrary, the job is degrading to women.  To be admired in this way is not true esteem and dignity, it's exploitation.  Its a conterfeit form of love and attention that weakens your sense of self.

Without a price - Being constantly ogled, groped, lusted after, catcalled, insulted, pinched, and used for sex comes at a very steep price.  I witnessed many dancers (including myself) leave the bar in tears due to an abusive patron or employer. 

A Victimless Crime - Even if you don't feel harmed by it, think of the harm you are causing to the wives and children of the men who come to see you, or even to the men themselves.  Think of the dancers who do end up dead or emotionally scarred as a result of the job.  Think of the damage being done to the community surrounding your workplace.

Authentic Feminism - Feminism was never about the legalized pimping that is the porn and strip club industry.  Feminism was never about making mafiosi rich by exploiting women's sexuality.  Don't forget who takes home the most money in this business.

Go to http://www.ccv.org/downloads/pdf/David_Sherman_testimony.pdf for a former strip club manager's testimony of his experience in the industry.

Who Are Strippers?

So many factors bring a woman to the decision to become a stripper.  The most overriding factor seems to be early childhood abuse.  The media portrayals of strippers are far from accurate.  They are not all airheaded Barbie Dolls who smile constantly.  They are college students, struggling artists, struggling actresses, professionally trained dancers, single mothers, abuse survivors, writers, wives, musicians, teachers, teenage runaways, performance artists, singers, nurses, athletes, film makers, students.  They come from all walks of life.  Some, believe it or not, are Christian.  Please don't judge or stereotype these women.  Instead, pray for them and support one of the many ministries in the links section active in helping sex workers find a new life in Christ.  


Tuesday, April 21, 2009

"get some" posters

from the multi-talented director, Christine Berg: 
"get some," mini-poster thingy's.


barnes


ellroy

the beast


jonesy

a slice of life 2009

in l.a., near the sea. 1.3 miles to be exact. 90 degrees. w/blocked parotid gland. 2009.
(Rosa multiflora)


(Geochelone sulcata w/Converse)

(Coastal Prickly Pear Cactus)
 
[Spineless cactus (Opuntia ficus indica f. inermis)]
(homo sapien, w/vicodin & friend)

(Cucurbita Pepo)

(aloe barbadensis)

Monday, April 20, 2009

well-deck, revisited

The lights down here are better though. Down in the well-deck. With the Humvee’s and the cold air. And I’m on Guard. Armed with an empty M-16 A2 service rifle and a journal. It’s pretty boring, but that’s life in the Marine Corps. Boredom and pain and some fun. A microcosm of life. But I’m thinking about 20 minutes earlier.

Up in the barracks, or cell, or rack, or whatever the Navy calls sleeping quarters. It’s break—I’ve  also been assigned mess duty. Not exactly your shit-hot Marine. Nevertheless I’m on break and I find a rack and I’m fucking tired so I climb way up—the racks are stacked four high. Coffin racks. And I sneak up high on the forth rack and I lay there for a moment.  I'm not claustrophobic, but I tense up. I dunno why. Just do. Then I settle down and think—that’s all you do on float. Think:

Life.

Sex.

Strippers. 

Blowjobs. 

Tits. 

Ass. 

Guns. 

Killing. 

Hookers.

Rear-naked chokes. 

Cold Coors Light. 

...Sex...

So you think like a young man. 

And I think I want to cry. Really. My fists clench up and suddenly the outside hatch opens up. 

CREAK. 

Enter a young Ensign and his fiancé. She knows her young officer’s is about to go to war, or at least near a war, off shore. She loves him. She loves him and so does he, and they embrace. 

Kiss. 

Real deep and sensuous and there I am. LCpl Mandia up on the fourth coffin rack. Enlisted voyeur. 

And the walls close in. All around. Tight and made my muscles twitch even more. Constricted. A boot on my throat. The young officer and his woman are in the midst of a legendary romance. A tale to tell the kids. An inspirational novel written by one of their future grandkids. Oprah book club shit. But every second I see/hear them, I come closer to imploding. To just screaming out loud and banging my head against the bulkhead. 

Then my heart goes. 

The Ensign reaches inside his fiancé’s blouse.

My heart wants out. Wants to tear itself from the meat and gristle and yellow fat and jump off the bow of the USS Boxer and sink to floor of San Diego bay. Hopefully a pregnant halibut swims by and gobbles it up, thus supplementing her lack of food, and my heart; the fist sized muscle above my gut, spawns new life. Very poetic.

His hand reaches behind her head. Pulls her hair. Jaw hangs. Kisses her neck. Smells behind the ear—right where you can feel the bone, that divot. Where her perfume hides.  Her eyes close tight. She wants this. 

I’m about to burst. One second. Two seconds. Three seconds. Goddamn it, get the fuck outa here you motherfucking zero! With your good happy life and beautiful woman and that bachelors degree from San Diego State.

Something calls out over the loud speaker. The Captain speaks.  The young Ensign stops. The ships about to cast off. Last call. Their lips open, millimeters apart. One breathe. Hearts beating the same cadence. A moment frozen in time. And a peck on the lips. Then she hugs him, hard. They leave. And the walls recede. 

I take a breath. I can breathe again and slip out the coffin rack to the deck below. Another breath and I hear my heart. Familiar staccato off in the distance. My heart jumps out the halibut’s ass and climbs the anchor chain. Over the slime and rust. Slums it down my esophagus and fills the hole. Doesn’t fit right though. Some slack. Gaps. But it’ll do. 

An electric sound. A hum. Fluorescents-

SNAP on.

White light grows and fills the vacuum tube. They expose everything. Every blemish. Every wound. Ingrown hair. I don’t like it. I look at my watch and I remember I only had 20 minutes of break time before I had to go on watch in the well-deck. So I leave. Secure the hatch. Turn the cork screw or pull the latch, I don’t remember. But I leave.  

And that was that. And now I’m sitting atop an empty Humvee with an empty M16 A2 service rifle. The air down here is especially cold. And I think I’m coming down with a stomach flu. I need to take a shit. But I can’t. Can’t walk off guard. It’s a rule. One of those pesky general orders you swear to. So I get out my journal and write under the yellow lights inside the hull of the USS Boxer.


Tuesday, April 14, 2009

"get some," premiere

it's official: my 1st premiere. very cool. and yes, i wrote the thing, although you might need a magnifying glass to read my name...i kid...anywho, check out the "postcard."
be there or be square



(click for a larger version)

Monday, April 6, 2009

moving on

that's what im gonna do. take the next semester off. 
get surgery and just recover. 
my jaw, my back. continue to write. to read.
maybe drive around for a bit. the desert. berkeley. mexico. who knows. but i think it's time. forget the past...no, acknowledge it, and just move on.

Friday, April 3, 2009

FirstStage

recently had the pleasure of attending a play reading at First Stage; a theatre/writing workshop in Hollywood, CA. specifically, a play entitled "Confirmed Kill," by my friend Harry Cronin. it was pretty damn good. in fact, the whole experience was damn good. can't wait to get involved. and you can too--check out their call for scripts, below.

a little about Harry:

and little about FirstStage:

Wednesday, April 1, 2009

98.6 degrees

police station in 2003. it was baghdad
we rounded the corner and as soon i exited the humvee, the .50 cal let loose. 
then 16s, and SAWs, a 240.
THUMP!
THUMP!
THUMP!
rounds hit the wall. i could see tracers overhead and this was IT.
combat.
screams, yells. "die mother fucker die!"
it was loud. damn loud. so damn loud that all the movies and books and scenarios you played out in your head in the comfort of sunny southern california were shoved back into your balls where they belonged.

i was with a friend. and we hid. or took cover. which ever you like. asked each other if we should round the corner. 
to round the wall of reality.
and we were hesitant. scared. confused. 

i carried a shotgun. bennilli, semi-automatic. meant for room clearing. 
but how efficient would that be against an enemy at distance? 
not very, i thought. 
and who was firing?
i thought the War was pretty much over?

rounds continued to pop all around. 
ZING! 
ZING!
so fast and mean. different when you're at the other end. it'll keep your head down that's for sure. 
and it doesn't care that you went to catholic school. or had girlfriend back home who's getting blitzed in some seedy bar. didn't even give a damn that you're an American. that your GI Bill is waiting and you miss Monet and had a dog that just died from cancer. 
despite the thousands of dollars the US government has invested in you, you're  simply a lump of mushy fat and gristle.
warm. 98.6 degrees of human warmth. 
blood; alot more bloody than you thought.
and it's red. but you know that. 

so we waited. maybe a minute. maybe thirty seconds. i don't remember. but it was the scariest moment of my (our?) life. 
it died down and we snuck out. took cover behind some concrete pillars and they screamed "Cease Fire!"
"Cease Fire!"
it dribbled down. 
POP!
POP!
and no more pops.
just silence as the smoke rose, leaving sulfur hanging heavy in the air.

a few days later i found out a civilian had accidentally drove his car into our convoy.
and we trigger happy Marines laid him out.
wasted half a family, in fact.
combat.
a Corpsman went to help, but it was dark. he couldn't see. so he reached in and groped. 
his hand slid into a man's head.
right into the brains.
warm.
98.6.
supposedly the Corpsman was never the same.
he wanted out. 
of everything.

we stayed at that police station for some months. couple days after the firefight my buddy and i wandered the sprawling compound with sledge hammers.
nobody questioned us. they just let us walk--sledge's over our shoulders.  when we came across certain things, we destroyed them.
i don't think we really talked about it.
we just destroyed.
no reason.
no anger. 
no laughs.
nothing.

but that was 2003. 
and it was a police station in the heart of baghdad.